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亚瑟王:斗兽争霸:摇滚黑帮新魔幻

 

 

壮观的镜头、先进的视觉效果、大量充满神奇与幻想元素的动作场景、风格化的叙事、剪辑和音乐, 都将让《亚瑟王:斗兽争霸》成为5月不容错过的一部大片:盖·里奇用他擅长的拼贴跳跃的讲故事和剪辑风格,以及摇滚电子流行配乐,让“亚瑟王”这个古典宏大的传奇故事更符合年轻观众口味,亚瑟王也从一个幻想中的传奇帝王变成一个接地气的黑帮气浓郁的“痞子英雄”。

 

编辑:洋小李 | 主播:大宝

 

 

 

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由盖·里奇执导的史诗片《亚瑟王:斗兽争霸》即将于5月12日在美国与中国同步公映,而主演则由查理·汉纳姆、艾瑞克·巴纳、阿斯特丽德·伯格斯-弗瑞斯贝、裘德·洛等联合担当,毋庸置疑,这是一部既遵循传统,有又一点会突破常规的电影。这是一部能媲美《权利的游戏》的巨制电影,影片改编自亚瑟王圣剑传说。

 

 

亚瑟王是传说中的古不列颠最富有传奇色彩的伟大国王,他在西方的地位,相当于秦始皇或者汉武大帝在内地的声誉,若要按照时下的流行说法,便是不折不扣的大IP,但一直以来,有关亚瑟王的影视作品,却不是很多,战台烽印象比较深刻的,是在2004年公映的《亚瑟王》,由克里夫·欧文和凯拉·奈特莉等主演,但这部作品上映之后,反响平平,也许就此影响了亚瑟王这个题材的影视化开发,一个被拍烂了的IP如何能惊艳的展现在大家的眼前,也算是来了一次涅槃重生,看过他大部分作品,每次看完都长着嘴巴并且极其被震撼到。经典影片像是《两杆大烟枪》和《偷拐抢骗》这都是曾经的三刷不止的电影。而后所执导的《大侦探福尔摩斯》系列将他成功捧上了全球卖座的商业大导演之位,前两部超过十亿美元的票房,足以证明他在执导商业大片的把控度与品质感。没错,他就是鬼才导演盖里奇,这次也是他的首部魔幻电影作品。在这部电影里叙事上的花样,剪辑的风格化,音乐的运用,都让这个传统的故事变得没那么传统。一干演技派的加持,也是吸引了全球的关注,毕竟这是一个从不失手的导演,也是一个从来不会为了艺术而妥协商业,却又在商业上披荆斩棘、收获满满的奇才。

 

 

《亚瑟王:斗兽争霸》改编自亚瑟王圣剑的传说,剧情颠覆传统,讲述亚瑟从市井小子到登上王座的征途。 这部电影里的亚瑟王起初的人生经历时渺小的,最初他不是生长在王宫里的小王子,他是妓院里的野孩子,在街上到处乱跑,学会了如何打架,如何跟朋友们躲开执法人员。小王子流落民间,直到他拔出那把象征天命之王的圣剑,才将他的记忆与命运激活。亚瑟王这个产生于不列颠最具传奇色彩的伟大国王,在13年后再度被盖’里奇搬上银幕,而他从《两杆大烟枪》开始建立起的黑色幽默和草根趣味,将给观众带来前所未有的一场“魔幻盛筵”他用他擅长的拼贴跳跃的讲故事和剪辑风格,让这个古典宏大的传奇故事更符合年轻观众的口味,亚瑟王,也从一个幻想中的传奇帝王变成一个接地气的黑帮气浓郁的痞子英雄。亚瑟王从街头小子到王者,屡屡克服自己心中的梦魇、恐惧,我想只有找到自己的信念,挑战自己,才有能力去达成心愿。

 

 

而关于这部电影的制作班底,也是非常的强大,《哈利波特》系列和《神奇动物在哪里》的制片人之一担任该片制片人,《速度与激情7》《神奇动物在哪里》《复仇者联盟2》《银河护卫队》的特效人员担任特效工作,《权利的游戏》的艺术指导加盟本片做艺术指导。光这些身份亮出来就觉得质量不会差。剧本故事是一部影片的灵魂,但对于《亚瑟王:斗兽争霸》这样的商业大片而言,特效与置景,则是这部影片的血与肉。说到独特之处,我觉得有两方面,一方面影片创造了一个大家以前没有见到过的神话世界,大家在看电影的过程当中能感觉身临其中。第二就是这里面一些大场面表现非常好。制作方希望有一些动作是大家之前没有看到过的,所以这部电影有很多关于剑的打斗。

 

 

在盖·里奇的带领下,《亚瑟王:斗兽争霸》的电影配乐与剪辑、动作完美融合,打造了一个独一无二的“摇滚黑帮新魔幻”。电影其实就是在潜意识当中和观众建立连接,这个非常重要。

 

 

壮观的镜头、先进的视觉效果、大量充满神奇与幻想元素的动作场景、风格化的叙事、剪辑和音乐, 都将让《亚瑟王:斗兽争霸》成为5月不容错过的一部大片:盖·里奇用他擅长的拼贴跳跃的讲故事和剪辑风格,以及摇滚电子流行配乐,让“亚瑟王”这个古典宏大的传奇故事更符合年轻观众口味,亚瑟王也从一个幻想中的传奇帝王变成一个接地气的黑帮气浓郁的“痞子英雄”。

 

 

 

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